Filmmaking to me resembles the abstract and equal parts nebulous and precise practice of carving a sculpture.

For the first time, I was the one that made the trip happen. Blame it on the Pisces in me, but I have a tendency to delay making important decisions until the other party is annoyed enough to do it for me.

There were too many people and not enough beds. Somehow, there were four or five of us in the long and narrow hotel room, but only two single beds. 

Sometimes it happens that you land a dream creative project. The only problem is that some people on set or in the dance studio are hell-bent on taking out their insecurities on everyone in sight.

Off the top of my head, inhabiting someone else’s thoughts when reading a book feels like the right space to clear my head. On second thought that seems too fraught, too busy with the possibilities.

It can be a finicky thing, setting up my writing surroundings in the right way to pour my heart out. I find the commute between the desk, the couch, and the bed is an impossible equation to solve.

In my mind, I want to make things easy for everyone. I want to do the big thing but take every small precaution along to way to make sure that everybody on the team feels heard, understood, taken care of, and properly briefed.

We wear all our experiences on our bodies. The body keeps a peculiar memory. The muscles and joints hold an imprint of what we subject them to. A record or an echo of each occurrence.

There are many ways to entertain ourselves as spectators. We can watch sports, observe the animals at the zoo, experience the opera, or simply go down the Netflix rabbit hole. Personally, I am partial to another type of entertainment – the dance performance.

Pop music exists as a living archive of each decade’s defining trends, and on a personal level, a dreamy utopia where the president is Beyoncé, the currency is…

Неясно докога затворените паркове и граници и още по-несигурната перспектива да се върнем към залите за изкуство и спорт, било като зрители, за тренировка или репетиции, са сред…

We enter DNK: Space for contemporary dance and performance, and right at the door, we are greeted by the three co-creators and performers Aleksandar Georgiev, Zhana Pencheva and Darío Barreto Damas. Smiling…

There was an air of excitement for the premiere of Hang in There – the sold-out night also marked the choreographic debut of interdisciplinary artist Tsveta Doycheva. Her first project…

I dip in and out of dead-end alleys, cross scenic bridges, and make sharp turns into streets so tiny that it seems impossible to squeeze through to the…

The Teatro Malibran in Venice is tucked away between quaint bridges and narrow streets. Once you track down the 900-seat opera house, hidden in plain sight, you feel…

In a retrospective May-June season that launched Derida Dance Center’s brand new Stage Derida in Sofia, Bulgaria (a former TV studio refashioned into a black box), the company…

Edifice Dance Theatre’s new dance film Salomé uses a hybrid ballroom and contact improvisation vocabulary to explore a wide range of human emotions. The company, in collaboration with director Rogério…

Last Friday, through an appeal to an independent arbitrator, the American Guild of Musical Artists successfully reinstated NYCB principals Amar Ramasar and Zachary Catazaro, previously fired for allegedly circulating…

L-E-V’s “Love Chapter II” at the Joyce Theater starts with a harsh knocking sound, and tender, sinewy bodies already holding vulnerable parts of themselves. With one hand protecting…

Съвременният танц присъства сериозно в модерната поп култура като предпочитан хореографски стил за десетки музикални артисти като FKA twigs, Beyoncé и The Chemical Brothers. Това е една от…